Blu-ray/DVD Inspection: Phantom Thread ⋆ Rogues Portal

Blu-ray/DVD Inspection: Phantom Thread ⋆ Rogues Portal


Manager: Paul Thomas Anderson
Starring: Daniel Day-Lewis, Lesley Manville, Vickey Krieps
Writer: Paul Thomas Anderson

Overview by Michael Walls-Kelly

It is comforting to think the dead are seeing over the dwelling. I really don’t discover that spooky.

When I sat down to watch Paul Thomas Anderson’s most up-to-date film I had a couple of expectations. I expected this to be a story about an artist. Expected some kind of love affair, some despair and, overall, a great movie. I have all that. I was rewarded with a stunning, funny and moving film that stands shoulder-to-shoulder together with the classics from Anderson’s filmography.

The story revolves around Reynolds Woodcock (Daniel Day-Lewis), also a famous and extremely unique fashion designer in 1950’s London. The other mainstay of this Woodcock household is his sister, Cyril (Lesley Manville), who manages the performance of the company and manages Reynolds when she needs to. Finally, a waitress called Alma (Vicky Krieps) comes to his orbit also begins with a romantic relationship with him.

It would have been so simple for the film to fall into the trap of being the following rote story about a “raped male genius” Which, do not get me wrong, it is about that. Reynolds is a controlling asshole and talented and enchanting. Nevertheless, the efforts of combined with a structure and payoff that plays out just like a twisted story of love — Day-Lewis, Krieps, Manville, and Anderson — be able to lift everything.

When Alma joins the Woodcock home, she finds out what is and is not allowed. Allowed: complimenting dresses, scenic walks, being a muse. Not permitted: buttering your toast loud, bringing in unasked for java, which makes asparagus erroneous. Phantom Thread could have easily fallen apart in case it was distress pornography about seeing how much abuse Alma would set up with. Cyril and alma are a surprise specifically since they are resources of a tortured genius, or needed to prop him up when he needs it. Their customs are symbiotic.

Some individuals may be turned off with what they think the tone of the film will be. Phantom Thread is a time piece revolving around a style designer which makes exquisite dresses. It feels like it’d be ironic and stuffy. Anderson is an expert though and plays together with the tone of the piece. It is a film through, and near the finish, it veers towards being a thriller. There are more levels to this than it sounds.

The performances are as nuanced and layered as you would anticipate from Day-Lewis and Manville. Cyril and Reynolds have a connection, and when they spar, it electric. It would also be very simple for Day-Lewis to phone it for his “final” performance. He does. Vicky Krieps was a revelation to me. The majority of the scenes in this film and almost all of the scenes are involving Krieps and Day-Lewis, also there was not an imbalance at all. Alma resolve is natural. She complement to Reynolds and creates a perfect opposite.

Paul Thomas Anderson functioned as his own uncredited cinematographer, also Phantom Thread follows at the crisp, lush Kind of The Master. The standout centrepiece scene for me is a wordless scene during a New Year’s bash involving Alma and Reynolds. The acting, the cinematography, the manufacturing design and the score by Jonny Greenwood — the best score of last year — come together to make the perfect moment. It.

Special Features:

  • Camera Evaluation
  • “For the Hungry Boy”
  • “House of Woodcock Fashion Show”
  • Behind the Scenes Photographs 

Verdict: Buy it and View it! As far as I’m concerned, Paul Thomas Anderson has never set out a bad movie and Daniel Day-Lewis has never delivered a terrible performance. Phantom Thread is no exception. When you have any reservations about it or anticipate some kind of revival that was Merchant-Ivory, lay those check it out. It is a fun film in more ways than I expected. He went out if it ends up being film performance. We’re fortunate to find out of Paul Thomas Anderson.

Michael Walls-Kelly

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